In this chapter, I make the most obvious reference to Max Payne. To the point where one of Tristan's lines will seem utterly absurd unless you know anything about Max Payne.
Part One: Fall of Asgard
Part Three of Chapter Two: Holy War
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The second installment of Street Angels (the larger story-arc I shall call “Part One: Fall of Asgard”) involves more of the older Pilz and focuses mainly on Angel. This section is extremely important and defines much of Angel and Roxy’s motivations. While only five pages, these five pages are critical to where the next chapter will lead.
Part One: Fall of Asgard
Part Two of Chapter One: Street Angels
Some years ago my boyfriend introduced me to the world of the cyberpunk genre. In a way I already knew a lot about it, but I’d never known what to call it. He plans to rework a setting he’s working on in the genre, based partly on the Cyberpunk game, and allowed me to be privy to his setting—New Century City.
Roxanne Tohru is a character for this setting, and one I’m fairly proud of. Her story beginns with part one of Street Angels. What I would call the entire span of her story, I’m not sure. It’s still growing and evolving, and the more I learn about her past, the less I can pin her down. I hope you’ll come to feel for her as much as I have.
Rated R for strong violence, drug use, and adult language.
I'm late to say the least. I just got out of touch with my LJ for a little while. I was straying away from online in general.
This is the last part of "A Shepherd and His Flock." Virgil's story is something I'm very proud of writing. When I began I had a very nebulous idea of what was going to happen to these two characters. I knew where it had to end, I just wasn't sure of how to lead up to that. The journey to it was difficult both to conceptualize and to write. My friend Rangerwickett knows better than most.
Thinking about Virgil and the relationship he had with his mentor has made a lot of what I believe more real. I believe that a parent's love is the biggest influence anyone ever has. Love can also be unhealthy if the parent is himself unhealthy. But as difficult as it is, anyone can rise above where they came from. Learning and faith are the strongest defense against unhealthy relationships. How someone will use either is up to them.
A Shepherd and His Flock, Part Six (one illustration)
Part Five of A Shepherd and His Flock leads us ever closer to the climax of the story. I won't say much more, since this one is rather short. I may put up the last bit in five days instead of seven.
Because I've been out of touch for some time, I'm putting up the fourth part as well. It is wherein that Virgil and Alexander meet Reginheraht--the inquisitor from the first few sections.
One of my friends I showed this to was very hard on Virgil for giving up so much of his individuality. This only reminds me of a story my mom told me: She went out of her way in high school to not be noticed. One of her teachers didn't remember her taking his class. This is the woman who would later tell me that not standing out wasn't bad. That if I really wanted to avoid pain then the best way to do that was to be as inconspicuous as I could.
If the person you respect with all your heart is the one who tells you that being you is somehow wrong ... and no one bothers to tell you otherwise ... How do you know that's not true? What basis do you have for seeing something worthwhile in yourself?
I don't really blame Virgil for letting someone else take the reins of his life. After all, it's taken me years to get my own life back from my guilt.
Part Three of A Shepherd and His Flock changes the direction of the story completely. I was told by Rangerwickett in my first draft that Alexander's change was sudden, but I hope that at least shadows of what he's capable of were clear in earlier bits of the story.
It has been about a week since I posted the first part of the story, so here's the second. There is only one illustration for this part, so it's significantly smaller than the last one.
A Shepherd and His Flock, Part 2 (.rtf doc with illustration)
Sadly, there is a good deal of personal experience in this story. I wrote this as a backstory for one of the characters in a d20 game I run. It's odd what happens when someone role-plays. Or at least when I do. When I spend a good deal of time around a character, I get to know them.
The character I wrote this for was a one-shot character when I first came up with him. He was supposed to die. However, the one-shot turned into a mini-campaign, and that campaign was never completed. Then I decided to run a game, and said to everyone playing "This is going to be a world-hopping one shot. So play old characters you've always wanted to play again. Anything." So the characters were a demon-slaying D&D setting character, an Aberrant, a Jedi, and Virgil, a monk from ... Castlevania.
Playing Virgil again, I began to realize just how much he'd been through. They were things he would never actually tell of his own power, at least not without someone forcing him to. They were also things that he had no real context to understanding.
This is his story. The fact that it happens in Castlevania is irrelevant. It's a story about a man and his teacher.
A Shepherd and His Flock, Part One (Rich Text File, Illustrations)